Malkmus is now six LPs deep into
his solo career, which makes for one more album than he produced with Pavement.
His self-titled solo debut from 2001 sounded a lot Terror Twilight Part II, but on his second album, Pig Lib, Malkmus took a significant
departure from his former band’s sound by making a psychedelic blues
album. Three albums later, we finally
see Malkmus come full circle with Wig Out
at Jagbags, which sounds more like a Pavement record than anything else
he’s done as a solo artist.
I suppose that the same thing was
probably said about Mirror Traffic when
it came out, which is a far more pop-oriented album than the preceding Real Emotional Trash. The difference on Wig Out is Malkmus’ vocals and lyrics. Quirky
wordplay coupled with a So-Cal slacker delivery has always been his signature,
but on this album it takes center stage in a way that Malkmus has only teased
with since Pig Lib.
That being said, it is also no
coincidence that most of the songs have more stripped down arrangements than
Malkmus has been doing on his past couple of records. This gives the album a loose
and live sounding feel. “The Janitor Revealed”, “Shibboleth”, “J Smoov”, and “Scattegories”
all sound like they could have maybe come off Brighten
the Corners or Wowee Zowee. The
rest of the album doesn’t sound as much like Pavement as those tracks do, but
it has a similar fun energy and that carries it throughout.
AllMusic gave this album 4.5 stars,
the same rating it gave for Malkmus’ previous two albums. Personally, I like Wig Out much more than those albums, and
I think that most Pavement-first fans will agree. That being said, Wig Out is far from a rehash. It sounds
fresh and is full of surprises. My favorite track: “Lariat” was the first
single and is pretty much the epitome of everything there is to like about Stephen Malkmus.
Stephen Malkmus and the Jicks are
playing in Philadelphia on 3/1 at the TLA. That date is also my birthday, so
feel free to meet me there and buy me a drink.
No comments:
Post a Comment